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JHS

    JHS 4 Wheeler Bass Fuzz
    Features:

    Bass fuzz has to be the sweetest thing ever. There is nothing like a tight bass line with fuzz driving it home. Our 4 Wheeler V2 will give you the ability to do everything from 60’s jam band to modern electronic fuzz. With Volume, Tone, Fuzz and a specially tuned Gate control, the ability to tweak away is at your fingertips. There is enough volume/headroom to shake any stage, as well as drive your amp as hard as you would ever need. The tone and fuzz controls are super flexible with usable sweeps all the way around, while the gate control can give you those much desired synth break-offs or just the right amount of jab for that perfect riff. The "Hi/Lo" toggle switch lets you go from a deeper, more low-end focused range of tones to the normal V1 settings. Bass players are raving about it and guitar players even seem to love what it does to their tone, so this may be the fuzz to fit the bill...

    Model: 4WHEELER
    Manufacturer: JHS
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    Price: $199.00
    JHS Andy Timmons Overdrive
    Features:

    Sometime in 2013 Andy Timmons purchased an Angry Charlie from a guitar shop in Texas, and it became his main dirt channel soon after. Having a chat with him at Winter NAMM 2015 we set out to tweak it a bit to his personal tastes and needs so that it could fit even better into his live rig. The rest is history and the JHS Pedals “AT”, AKA “The @“, was born. Let’s take a look at its controls and function. The AT has four knobs and a three position toggle switch. The “Volume” control controls the overall output level of the effect. The “EQ” control is a low pass filter that very naturally allows you to darken and brighten the overall tone of the pedal. The “Drive” control adjusts the amount of gain/distortion that you desire. The “Air” control is another low pass filter, but it is focused only on the high treble frequencies. This allows for “The AT“ to perform perfectly with virtually any amplifier as you can adjust in fine detail along with the corresponding “EQ” control. The 3-Way toggle is called the “Headroom” toggle. In the down position you have what we refer to as the 50 watt mode. The middle position is 100 watt mode and the up position is the 25 watt mode. These replicate different wattages of a tube amplifier, so just like a real tube amp, the 100 watt is loudest, the 50 watt is in the middle and the 25 watt has less overall volume but more drive on tap. The middle 100 watt mode is clean, loud and full of power. With this mode and the drive knob under 50% you can achieve nice overdrive tones that set single coil pickups on fire with huge low-end and a powerful punch that the original Angry Charlie can’t achieve. The down position 50 watt mode gives you nice crunch/distortion that has a full frequency response. This mode is perfect for those looking for that classic British gain stage of the JCM800. The up position 25 watt mode reaches all the way into distortion territory and has rich harmonics, enhanced mid’s and more of a cutting presence. If you love gain, this is the mode for you. This is an extremely versatile pedal that covers a large range of gain territory. If you need a single pedal that can achieve the saturated tones of a real British tube amplifier with a 4x12 cab, the Andy Timmons signature pedal is where it’s “AT.“ Oh yea, you can safely run “The AT“ at 18 or 9 volts.

    Model: TIMMONS
    Manufacturer: JHS
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    Price: $219.00
    JHS Angry Charlie V3
    Features:

    The Angry Charlie has become a staple of the JHS line over the years. In the 3, we set out to keep everything that has made it a star in place while adding some tweaks for even greater flexibility and usability. The V3 is a force to be reckoned with in the high gain pedal territory. It convincingly and accurately breathes JCM800 tones with ease. Let's look at the features. The Angry Charlie has five controls: Volume, Drive, Bass, Mids and Treble. The Volume control acts as a standard master volume control on an amplifier. Simply turn the control to the right and you are louder, turn it to the left and you are quieter. The Drive control decides the amount of overall dirt/overdrive that enters the signal path. Turn it up for more distortion and down for less. New to the V3 are the Bass, Mids, and Treble controls. To faithfully replicate a Marshall amplifier we felt it was time to incorporate a full Marshall-style tone stack. All three of these controls act as a cut and boost, while at noon they are relatively flat. The right 1/4" jack is the input, and the left is the output. If you are a glutton for high gain overdrive/distortion that has a British flavor full of rich bass response, thick mids, and a balanced high-end response, the Angry Charlie V3 will change your life. Well, your gear life.

    Model: ANGRYCHARLIE3
    Manufacturer: JHS
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    Price: $199.00
    JHS AT (Andy Timmons)
    Features:

    Sometime in 2013 Andy Timmons purchased an Angry Charlie from a guitar shop in Texas, and it became his main dirt channel soon after. Having a chat with him at Winter NAMM 2015 we set out to tweak it a bit to his personal tastes and needs so that it could fit even better into his live rig. The rest is history and the JHS Pedals “AT”, AKA “The @“, was born. Let’s take a look at its controls and function. The AT has four knobs and a three position toggle switch. The “Volume” control controls the overall output level of the effect. The “EQ” control is a low pass filter that very naturally allows you to darken and brighten the overall tone of the pedal. The “Drive” control adjusts the amount of gain/distortion that you desire. The “Air” control is another low pass filter, but it is focused only on the high treble frequencies. This allows for “The AT“ to perform perfectly with virtually any amplifier as you can adjust in fine detail along with the corresponding “EQ” control. The 3-Way toggle is called the “Headroom” toggle. In the down position you have what we refer to as the 50 watt mode. The middle position is 100 watt mode and the up position is the 25 watt mode. These replicate different wattages of a tube amplifier, so just like a real tube amp, the 100 watt is loudest, the 50 watt is in the middle and the 25 watt has less overall volume but more drive on tap. The middle 100 watt mode is clean, loud and full of power. With this mode and the drive knob under 50% you can achieve nice overdrive tones that set single coil pickups on fire with huge low-end and a powerful punch that the original Angry Charlie can’t achieve. The down position 50 watt mode gives you nice crunch/distortion that has a full frequency response. This mode is perfect for those looking for that classic British gain stage of the JCM800. The up position 25 watt mode reaches all the way into distortion territory and has rich harmonics, enhanced mid’s and more of a cutting presence. If you love gain, this is the mode for you. This is an extremely versatile pedal that covers a large range of gain territory. If you need a single pedal that can achieve the saturated tones of a real British tube amplifier with a 4x12 cab, the Andy Timmons signature pedal is where it’s “AT.“ Oh yea, you can safely run “The AT“ at 18 or 9 volts.

    Model: T3586
    Manufacturer: JHS
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    Price: $219.00
    JHS Charlie Brown
    Features:

    The Charlie Brown "Channel Drive." If you’ve ever heard an original Marshall JTM45 than you know why it’s the voice of classic Rock & Roll. The classic JTM45’s are loaded with warm, rich character that makes a Stratocaster sing and a Les Paul scream. Our Charlie Brown is voiced to transform any good amp into a living, breathing replica of the tone that built an era. After playing this pedal most people say, “Where has this been my whole life?” With the gain below 50% it is a low grit overdrive that even Hendrix would be proud of. When you get into the upper half of the gain knob you will find a new world of natural, crunchy bite that just can’t be found anywhere else. Max it out and you will be in high gain, overdrive heaven. The Presence knob lets you roll of the perfect amount of shimmer for an unprecedented compatibility with almost any amp. This unit can cover a lot of ground and we can almost guarantee that you won’t be adding this one to your “unusable dirt box list” that you’ve accumulated over the years. This pedal requires standard 9V DC Negative power and measures 2.2"x4.3"x1.5"

    Model: CHARLIEBROWN
    Manufacturer: JHS
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    Price: $199.00
    JHS Charlie Brown V4
    Features:

    If you’ve ever heard an original Marshall JTM45 then you know why it’s the voice of classic rock & roll. The classic JTM45’s are loaded with warm, rich character that makes a Stratocaster sing and a Les Paul scream. Our Charlie Brown is voiced to transform any good amp into a living, breathing replica of the tone that built an era. The Charlie Brown V4 builds on the popularity of the V3 by keeping the same heart and soul while giving more flexibility and options. Let's take a look at the controls. Looking at the pedal you see Volume, Drive, Bass, Mids, and Treble. The Volume control acts as a master volume would on your amplifier. Turn this control up and you are louder, turn it down and you are quieter. The Drive knob controls the amount of dirt or overdrive in the path. All the way up is the most available dirt, all the way down is the cleanest setting. With the gain below 50%, it is a low gain grit overdrive that even Hendrix would be proud to turn on. When you get into the upper half of the gain control, you will find a new world of natural, crunchy bite that stands alone in our line of overdrives. Max it out and you will be in high gain overdrive heaven. New to the V4 are the Bass, Mids, and Treble controls. To faithfully replicate a vintage Marshall, we felt it was time to incorporate a full Marshall style tone stack. All three of these controls act as a cut and boost, while at noon they are relatively flat. The right 1/4" jack is the input, and the left is the output. If you are looking for classic rock overdrive that feels, sounds, tastes, and smells like the real thing... Look no further. This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2"x4.3"x1.5".

    Model: T976
    Manufacturer: JHS
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    Price: $199.00
    JHS Crayon
    Features:

    In 1968 a piercing guitar tone came through the speakers on the Beatles “Revolution 1”. This is one of the most famous uses of plugging a guitar straight into a mixing console and creating the now referred to as “Direct-In Distortion". That tone is one of the most recognizable and unique guitar tones of the last 60 years and was one of the inspirations for the JHS Colour Box that we released in May of 2014. We sought to recreate that same compressed bite and fuzz that you get when plugging directly into a British style preamp but in a compact pedal. What we came up with was something even more than we imagined, and the Colour Box has become a staple among many producers, guitar players, and multi-instrumentalists world wide. Many players over the last few years have expressed their interest in a unit that is like the Colourbox but more streamlined for the one basic application of a dirt box. No XLR function, no 3 band EQ… Just the dirt in an easy to use format for guitarists… So we decided to pull the Crayon out of the Colour Box. The controls are Master, Pre, Tilt, and Hi Pass. “Master" is your classic volume control that controls the overall output. “Pre" works as a drive or fuzz control like turning up the pre-volume on a preamp to send it in to overdrive. As you reach 75% and above, the fuzz will begin to gate out as you pick the strings harder when playing, it is very responsive to your input signal and touch. The “Tilt" acts as an active tone control that is flat when the knob is at 50%. When turned to the left, the Tilt control boosts bass and simultaneously cuts treble. When turned to the right, it boosts treble and cuts bass. This allows for some very unique and usable adjustments to the overall feel of the Crayon. The “Hi-Pass” toggle switch lets you activate from two different frequencies located on the side of the pedal, 200Hz and 750Hz. These settings let only the high band frequencies above them pass, and this allows for some amazing tone shaping possibilities. The Crayon excels at Direct-In fuzz tones, but it truly covers more ground than you would first imagine. From subtle tube-like overdrive to classic rock distortion and all the way to spitting fuzz, the Crayon is much more than a one-trick pony. The Crayon also cleans up with your guitar's volume better than any other drive we make. It is exceptional for the player who want to access multiple dirt tones with the controls of their guitar. The Crayon may be the tone you’ve heard and always wanted, the tone that you never knew where to find. Add this Crayon to your palette of tones and color your own unique voice.

    Model: CRAYON
    Manufacturer: JHS
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    Price: $199.00
    JHS Double Barrel V3
    Features:

    This is our "Everything low to medium gain" pedal. The Double Barrel is for the player who needs a versatile but transparent overdrive at medium and light gain levels. You won’t find face melting distortion here, but you will find overdrive with the character and stacking abilities to cover most any tonal need. The right side is our JHS-808 with more usable tone control, more focused lows, better presence and warmer clipping than the original screamers on the market. With “Version 3” we added a three way gain switch to choose between saturated/boost/crunch. The left side is our #1 selling “Morning Glory” overdrive. Transparent and open tones are what lurk inside this circuit. When these two circuits are stacked, something magic happens. Tones that are original and fresh come with ease, as well as added flexibility, due to the “order switching” toggle that lets you decide what pedal comes first in the signal chain. We are convinced that this is one of the greatest 2 in 1 pedals ever made... Seriously. If you're having problems getting the tones you want, just snatch the Double Barrel and see what happens! This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 4.7"x3.7"x1.2"

    Model: T3898
    Manufacturer: JHS
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    Price: $299.00
    JHS Honey Comb Deluxe
    Features:

    Just like our discontinued Honey Comb Single, the Honey Comb Deluxe gives you true vintage analog tone and ease of operation that will open up a new palette of sounds reminiscent of early Fender blackface and vintage Vox tremolo circuits from years gone by. The only difference is that this one has those over the top options for the more demanding trem-o-haoulic. We start by giving you an extra LED for the rate speed that stays on even when the pedal is in bypass. This allows a constant monitor on your speed. The next thing we do is add a second footswitch that allows you to alternate between two independently controlled speed knobs! This is like having two tremolos in one enclosure. The knobs are located over a third LED that is always on as well. When the LED is red it means you have the red speed knob activated and when it’s green… You guessed it; you have the green knob activated. On V2's you will see a small red switch inside the pedal on the circuit board. Flip this switch down for slower speed ranges or keep it up for the stock speed range.

    Model: HONEYCOMBDLX
    Manufacturer: JHS
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    Price: $239.00
    JHS KILT
    Features:

    When the opportunity to work with legendary guitarist, writer, producer, and founding member of the famed UK band Delirious came about, we couldn't pass it up. Right out of the gate StuG wanted a dirt box that could essentially cover any and all ground he needed for his studio work and extensive touring gigs. From that request the Kilt was born. The Kilt is a true 2-in-1 Dirt Box / Boost in a small footprint that packs all the power, range, options, and tones you could ever want. The left side is heavily inspired by the original and sought after Expandora, but with some major tweaks that bring this classic effect to a new level of tones and usability. Of all the drive pedals we have released this one is as close to “doing it all” as any. You can achieve transparent light tube-like breakup, bluesy overdrive, thick natural distortion, and even over the top fuzz from this one box. At the heart of the left/dirt side is a specifically chosen op-amplifier that offers super low noise, improved slew rate for a smoother structure, and a character that just feels better than the original. There are also 3 mini toggles for the left/dirt side that enhance tweak-ability and options even further. The "Cut" toggle gives you the ability to cut or boost the low end frequencies. The down position is the stock setting that gives you a significant and very useful bass boost over the original Expandora that lacked greatly in this area. The up position is closer to an original Expandora and thinner, hence the term cut. The "G1" and "G2" toggles let you select various forms of distortion via select resistance values that switch in and out in the clipping section of the circuit. This method is very different than your normal diode clipping selectors that you commonly see on drive pedals. This gives you multiple configurations and tonal options, helping the Kilt cover light transparent drive all the way to a fat wall of distortion and everything found in between. The controls from left to right for the left/dirt side are “Volume", "Tone", and “Gain." These are pretty self explanatory in the fact that the "Volume" is the overall master output volume of the drive, the "Tone" rolls in high end as its turned clockwise, and the "Gain" controls the amount of distortion by turning the input of the pedal up or down allowing less or more signal to hit the circuitry that causes the distortion. The right/boost side is a JFET boost with an ever so slight amount of grit and presence that helps in boosting solos or slamming the front end of the left/dirt side to achieve even more distorted sounds. The "Boost" knob controls the volume level of the boost and the mini "Order" toggle lets you choose between Boost pre left side (switch down) and Boost post left side (switch up). The Kilt runs at 9v and has true bypass switching all inside a custom polished aluminum enclosure.

    Model: KILT
    Manufacturer: JHS
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    Price: $279.00
    JHS Moonshine
    Features:

    Are you looking for an overdrive that is not transparent and adds its own character and attitude? The Moonshine is for you. Our Moonshine Overdrive is a highly unique and massively tweaked version of the most famous overdrive ever created and housed in a little green enclosure. Blues, rock, country, jazz, and even hardcore/metal players will find this is an indispensable tool for shaping and creating unique mid heavy tones for almost any need. You’ll immediately feel at home with our basic Volume, Tone, and Drive knobs, so tweak away! The simple 2-position “Proof” toggle gives you everything from low gain amp-like breakup with powerful colored boost settings to grinding, heavy overdrive that reaches to the very edge of cranked amp distortion. In the down position, you’ll find the highest gain settings, lots of saturation and sustain and the most mid-range goo available. In the up position are the more open and forceful crunchy tones that will make any amp beg for mercy. The up position also adds more overall volume and more headroom to those searching for cleaner applications. The tone control goes down as smooth as Grandpa’s White Lightning, with none of the harsh ice-pick characteristics that many overdrives have in the brighter settings. Just like our SuperBolt pedal, the Moonshine uses an internal 9v to 18v charge pump that allows it to run on normal 9v but converting it internally to 18v for an enormous amount of headroom, added low-end and more overall punch. We wouldn’t be surprised if this is the most girthy, thick overdrive you have ever plugged into. If you’re a fan of stacking overdrives, you’ll love putting this in front of or behind your favorite drive, booster, or fuzz. The Moonshine delivers on any style amp, easily producing anything from SRV classic Stratocaster/Fender amp tones with class to huge “wall of rock” The Edge-style force through a Vox. On another note, you might find a few Dumble-esque lead settings that will have you feeling like you saved a cool $100,000 in search of that sacred tone. Last but not least, it kills on bass guitar, the reason it was originally designed.

    Model: MOONSHINE
    Manufacturer: JHS
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    Price: $199.00
    JHS Morning Glory V4
    Features:

    Over the years the Morning Glory is undoubtedly our most known and praised overdrive pedal. It has won more awards and received more accolades than any other JHS pedal. It was created in 2009 out of a need for an overdrive pedal that simply took a guitar and amplifier’s tone to the next level without adding strong mid frequencies or any other characteristic that came along with the Tubescreamer style circuits on the market. Its goal was, and still is, to be incredibly easy to use and to be the most transparent overdrive out there. Even though the "transparent" buzzword is a bit overused all these years later, the meaning and application still stands as the best way to describe the magic that the Morning Glory brings to your rig. Let's take a look at what improvements the Morning Glory V4 has to offer. Looking at the controls, we have Volume, Drive, Tone and Gain. The Volume control acts as a master output level control. One improvement of the V4 is that we have added 2x the available headroom to this control if compared to the V3. The Drive control dials in overdrive as you turn clockwise. As this control increases, the treble content is also slightly increased. The Tone control is a basic high-pass filter, and as you turn clockwise, the tone becomes brighter. As you turn this control to the left, it becomes darker. The Gain toggle activates a new boost mode. This mode is overall more powerful, has more low-end content, and when the drive knob is in its upper region, it creates a more high gain tone than ever available in any variation of the Morning Glory. This toggle is indicated by the status LED turning Red and can be remotely activated by way of the “Remote Gain" 1/4" jack located on the upper right side of the pedal. This ability enables the Gain toggle be used in an on-the-fly application for live performance. Set your normal MG tone and instantly switch the Red Remote for a secondary tone with using hardly any space on your board at all. The Bright Cut toggle is now located on the side of the pedal, still easily accessible but out of the way. This switch is great for rigs that lean a little on the bright side or when you are using the MG as a higher gain drive sound. The input jack is located on the lower right side and the output jack is on the left side. The MG runs on standard 9V DC supply only. Whether you play a Stratocaster or a Les Paul, you will instantly recognize how the Morning Glory is touch sensitive and keeps 100% of your instrument’s feel in place. From "Little Wing-ish" chime to full chord rock & roll, the Morning Glory is hard to beat. If you are one of the thousands who have made the Morning Glory a part of your rig or a first-time interest, the Morning Glory V4 offers all the right features, tones, and ease of use that you are looking for in a primary overdrive pedal.

    Model: MORNINGGLORY4
    Manufacturer: JHS
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    Price: $199.00
    JHS Panther Cub Delay
    Features:

    In 2011 we released the Panther Analog Delay. Almost exactly two years later we tried a nearly impossible feat of taking everything we love about the Panther Delay, making a few improvements, and packaging it into a enclosure half the size. We are proud to bring to you the Panther Cub. True Bucket Brigade delay that has the tone and options to cover any style, any use, and any player. The Panther Cub Delay is our most anticipated pedal to date with it’s groundbreaker feature set including “tap tempo control” that lives within an all analog 1000 milliseconds of delay time! The “effects loop” allows you to place any effect or effects chain on the repeats only. We kept the four section “Ratio Control” to give you quarter, dotted eighth, eighth, and triplet divisions. The built in “Modulation” gives you a shimmery Deluxe Memory Man type vibe and works perfectly even with tap in use. The Panther Delay was the first to do this! The internal "Roar" switch gives you two different levels/sensitivity of oscillation and runaway. As the user you have the ability to program an “expression control” to your favorite knob to use it to change settings on the fly! The “Tap In/Out” jack lets you remotely tap in a tempo or slave another tap device for amazing live flexibility. All this and more is powered by a standard 9v supply. – 1000 Miliseconds of Delay (1 full second) – 100% Analog signal path – Eight 3208 Bucket Brigade Delay chips – Efficient and compact 1590BB size case (4.7"x3.7") – 4 Position Ratio control (1/4, 1/8, dotted 1/8, Triplets) – Standard 9v DC Negative power – Soft-touch Tap Tempo switch – Onboard Modulation (speed/depth) that stays accurate even when using Tap Tempo – Internal "ROAR" switch for 2 modes of oscillation sensitivity – EFX Loop (via TRS splitter) that allows placement of any effect on repeats only – Dry Out (via TRS splitter) for stereo field of sound – Space saving top-mounted Input/Output jacks – True Speed LED (indicates rate of actual delay) – Assignable Expression (control Speed, Ratio, Mod Depth, Mod Speed – Improved and Strengthened Feedback and Oscillation – Improved Delay overall definition and strength – Tap Input/Output allows external tap controller or tap slaving – True Bypass Switching

    Model: PANTHERCUB
    Manufacturer: JHS
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    Price: $349.00
    JHS Pollinator V2
    Features:

    Music would not be what it is today without a Fuzz Face at the feet of legendary players like Jimi Hendrix, Duane Allman, and countless others. The Pollinator V2 follows in the footsteps of this legendary circuit, but takes its abilities to new levels. At its heart are hand matched AC128 Germanium transistors that add a mojo and flavor that is instantly recognizable. Let's see what the Pollinator has to offer for any genre that you can throw at it. Looking at the controls, you will see Volume, Gain, Fuzz, and Bias. The Volume control is a standard master output control. Turn it to the right and you are louder, turn it to the left and you are quieter. Compared to a standard Fuzz Face this control has around 5x more power, and compared to the Pollinator V1 it is 2x louder. This amount of available headroom allows you to use the Pollinator as a powerful boost to hit your tube amp or slam another overdrive with ease. The Gain control is new to V2 and should be seen as a pre-gain control that works and interacts with the Fuzz control. The Fuzz control adjusts the overall amount of distortion/fuzz created by the circuit. The Gain adjusts the overall amount of gain that is allowed into the Fuzz control. The interaction between these two controls offers a massive array of tones from boost, overdrive, tube crunch, vintage fuzz or gated and destroyed distortion. The last control is the Bias knob. This control varies the direct voltage to the second stage transistor. In laymen’s terms, the less voltage this transistor sees, the dirtier, thinner, and harsher it gets. The more voltage it sees, the bigger, cleaner and more powerful it becomes. This control also compensates for temperature and variance in the germanium parts. The Pollinator V2 is the ultimate classic germanium based dirt box. It cleans up with your guitar’s volume knob like a dream and covers a mile wide cavern of tones. The Pollinator has more mojo than a velvet painting of Hendrix!

    Model: POLLINATOR
    Manufacturer: JHS
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    Price: $199.00
    JHS Prestige
    Features:

    In the footsteps of our long-ago discontinued Mr Magic pedal, we bring you the "final act" in boost magic...The Prestige! From buffer, to boost, to tone enhancer, the Prestige will prove to be a vital and necessary piece of gear for anyone's rig. With the boost knob set to zero, you have in your hands an amazing buffer/enhancer for long cable runs as well as a tool that will simply add some life back into your rig. When the Boost knob is in the first 25% you will get different flavors of the buffer/enhancer as well as slight volume increases. When the Boost knob is set between 25% and 50% you have a powerful, dynamic solo boost that adds definition, clarity and a little magic to your solos and lead passages. When set at 50% or more, the Prestige gives you the ability to break up your tube amp in a smooth and natural way resulting in real tube overdrive from the preamp section of your tube amp. The last 25% of the volume range can completely destroy your amp in the best way possible, resulting in rich soaring sustain, breakup, and on some amps even a smooth warm fuzzy growl. This super small 1.5"x3.6" booster can do what needs to be done no matter what the task. If you need a little magic in your life, look no further! This pedal requires standard 9V DC Negative power and measures 3.6"x1.5"x1"

    Model: PRESTIGE
    Manufacturer: JHS
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    Price: $129.00
    JHS Pulp 'N' Peel V4 (Compressor / Preamp)
    Features:

    The Pulp N Peel V4 is the result of over six years of tweaking, learning, and experimenting. The Pulp N Peel V3 has become a staple on thousands of players' boards all over the world and has gained a reputation for being the compression pedal for players who don't like compression. In version 4 we have stayed true to the things that made the PnP stand out among its competition while adding several new features that expand the circuit’s ability to reach into new territory, new tones and new ways of thinking about a compression pedal. These features include an improved detection circuit for smoother and more sustained tones, more headroom, a built in parallel overdrive-drive circuit, a tone control, and parallel 1/4" and DI outputs. Let's take a look at what makes the PnP V4 stand out in the crowd now more than ever. Looking at the controls, we have Volume, Compression, Blend, EQ and Dirt. The Volume control is a standard master volume that lets you cut and boost the output signal. One major improvement of the V4 is that we have added even more clean headroom so you can use the PnP as a lead boost or drive a tube amp with ease. The Compression control rolls in compression/sustain as you rotate it clockwise. The Blend control works much like the faders of a mixing console. As you turn the control clockwise, you are blending in compressed tone in parallel to your dry signal. This control allows you to dial in the perfect amount of attack and clarity to your compressed signal so that you never lose the original tone of your guitar and amplifier. The EQ control lets you darken and brighten your affected signal. When set at noon, the control is bypassed. Turning the EQ to the left allows you to darken while moving to the right lets you brighten the tone. The Dirt toggle works in conjunction with the side accessible trim pot and allows you to activate your desired amount of dirt/overdrive into the signal path. This control is a magic bullet for bass players who want to cut through the mix or for electric players who only need compression and dirt as the foundation of their tone. On the side of the PnP you will also notice that the internal bypass buffer is switchable on-the-fly. For true bypass operation turn this off, but for buffered bypass signal to drive your long cable lengths and to restore lost tone, turn this on. The inputs and outputs are fairly typical. The PnP runs on standard 9V DC power only. The right 1/4" jack is the input, and the left 1/4" jack is the output. The left side also has an XLR/DI output so that you can go directly from the PnP into a mixer or studio interface. This output makes the PnP an active DI channel strip for bass players or acoustic instruments. There is also a ground lift if the DI signal creates a hum. The PnP design shines as a true and transparent compressor that loves single coils as well as humbuckers. If you have ever thought that compressors rob your high-end and dull your tone, the Pulp N Peel is the compressor that you never knew you needed. The idea behind the Pulp N Peel is to have a compressor pedal that you never want to turn off, that doesn't rob your attack, that has a very low noise floor, and that adds a professional polish to every chord, lead line, and note that blooms out of your guitar.

    Model: PULPNPEELV4
    Manufacturer: JHS
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    Price: $229.00
    JHS Ruby Red
    Features:

    The Ruby Red is a collaboration with one of our favorite artists, producers, and writers in the industry, Butch Walker. He is most known for his breakout work in the Marvelous 3, as well as his long list of producing successes afterward such as: Pete Yorn, Pink, The Academy Is, Weezer, Panic! At The Disco, Taylor Swift, Avril Lavigne, Katy Perry, Keith Urban, Fallout Boy, Ryan Adams, and many more. As one of the busiest and most in-demand guys in the industry, when he isn't in the studio, he’s on a stage. Butch contacted us to let us know that he loved the SuperBolt and had been using it in session after session. We started a conversation about his live rig for upcoming dates, and the rest is history. He needed one pedal that could do everything he needed and do it in the simplest and easiest way possible. Primarily playing a cranked Deluxe Reverb and depending on his guitar’s volume control for much of his dynamics, the pedal had to respond like an amp as well as feel like it was an extension of his amp. This is how the Ruby Red was created. Looking at the pedal, you see four knobs, two toggle switches, and two footswitches. Let's break down the function of each. The left side of the pedal is our SuperBolt overdrive. With a volume, tone, and drive control that let’s you shape it as you desire. The Volume is a standard master volume, and it lets you cut or boost the overall output level of the effect. The Tone control gives you the ability to brighten or darken the overall tone of the circuit, and the Drive control is the amount of dirt created inside the circuit. The left toggle switch "+" adds more sag, compression, and gain to the circuit when desired and the left footswitch is the on/off switch for the SuperBolt giving you True Bypass operation of the effect. The right side of the pedal is a custom two-stage boost circuit that is perfect for slamming the front end of the SuperBolt or hitting your amp and creating natural breakup. The far right Boost knob controls the overall amount of boost in the circuit. The right toggle is an "order toggle" that lets you choose the order of the two effects (SuperBolt > Boost or Boost > SuperBolt) for personal preference and versatility. No matter what style music you play, the Ruby Red is a powerful tone shaping tool that will offer you everything from tone enhancement to boost, overdrive, distortion, and even fuzz. Runs at standard DC Negative 9v operation.

    Model: RUBYRED
    Manufacturer: JHS
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    Price: $249.00
    JHS Steak 'N Eggs
    Features:

    JHS Pedals and boutique guitar pedal legend Keeley Electronics have teamed up to bring you a 2-in-1 collaboration of two essential circuits with a few delicious surprises. The Steak & Eggs is a perfect pairing of overdrive and compression that you may never turn off. The ingredients of the dish are a modified JHS Pedals Morning Glory and a modified Keeley Electronics Compressor… both of which can only be found in this offering. The left side is the JHS Pedals Morning Glory circuit with a new gain setting that has never before been available in a previous version of the circuit. For years JHS Pedals has been asked for a higher gain version of the Morning Glory that keeps the character of the circuit but gives you more power. JHS released a limited run of 135 pedals in 2012 called the State Line and this pedal included a modified version of the Morning Glory. However, the high gain modification found in the Steak & Eggs circuit is totally new and re-thought from the ground up. JHS feels this is the perfecting ingredient to the already prestigious Morning Glory giving it power, punch, and dirt at the flick of a switch. The gain switch works two different ways in correspondence with the drive control. When the drive control is below 80% the toggle adds headroom and punch, when the drive control is maxed it adds more dirt, saturation and gain to the circuit for the most available drive ever in the circuits history. The standard bright cut toggle everyone is familiar with is still available via an internal dip switch. Whether you like over-easy, sunny-side up, poached, or hard-boiled, this will be a glorious morning treat. The right side of the Steak & Eggs is a new three knob version of the classic Keeley Electronics Compressor. The Compressor features a blend control which allows players to blend back in their original unaffected signal for very punchy tones and the tenderest compression available. It's great for humbuckers where over-compression can result in a dull tone; this design helps retain brightness. An all new mid and treble emphasis circuit has been incorporated in this design as well. The "Bright Switch " is also new to the Keeley Compressor. Flicking the toggle switch up allows players to fine tune the highs in their signal by pushing the perfect frequency range for that "jangly" tone! The compressor also features a fast release time allowing players to experience all the warmth and sustain of the earlier Keeley designs yet retain clarity in note definition. If the player would like a more spongy, tube-like compression, there is an internal DIP switch that gives you the classic Keeley sound, perfect for chicken- pickin’! The Sustain Control is where all the magic happens. As with all of the vintage Keeley OTA designed compressors, the Sustain control may make a swoosh sound as rotated and it will not affect performance when playing. In the center you will find a toggle to select the order of the effects. When the toggle is to the right, the Compressor is first. When the toggle is to the left, the Morning Glory is first. This gives you total control over the way the compression and overdrive affect one another. With these modified classic overdrive and compression circuits in one box, the Steak and Eggs is the perfect staple for your pantry. Marinate your ears and incubate your tone with the Steak and Eggs. The Steak & Eggs is truly a collaborative effort that couldn't have happened without the help of Jon Cusack and Cusack Music populating the PCBs in Holland, Michigan. Thanks to Cusack Music for making the process of two companies' designs come together easily and efficiently! Modifications to original circuits by Josh Scott and Robert Keeley. Final PCB layout, powder coating, printing and drilling of the enclosure by Keeley Electronics in Edmond, OK. PCBs populated by Cusack Music in Holland, MI. Final assembly, Quality Control, packaging and shipping by JHS Pedals in Kansas City, MO. We are proud to keep this product 100% made-in-USA.

    Model: STEAKNEGGS
    Manufacturer: JHS
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    Price: $349.00
    JHS SuperBolt
    Features:

    From the inception of the Supro Company in 1935 until its closing in 1968, no other brand of amplifier has had such a fascinating, mysterious and legendary story. The Supro® amps deliver the voice of rock and roll, from Jimmy Page’s legendary Led Zeppelin recordings or Brian Setzer’s early Stray Cat tracks, to the raging rhythm tones of Switchfoot’s Drew Shirley. If you have ever played one of these vintage amps then you know nothing sounds the same. No matter how high you take the volume, the amp delivers the same smooth but cutting tone that has shaped countless recordings over its 75+year history. The JHS SuperBolt overdrive pedal, at its heart, is a discreet circuit, designed to emulate the tone and character of the 1960’s-era Supro® amps. From its touch-sensitivity to the way the pedal sags with tube rectifier color at higher gain settings, the SuperBolt will give any guitar rig a versatile and useful new set of tones, reminiscent of some of the greatest sounds ever recorded. With 3 simple knob controls named Volume, Tone, and Drive, you will have the ability to make any guitar rig drip with vintage soul and attitude that no pedal has ever delivered- until now. To understand how the SuperBolt operates, let’s begin with the Drive knob. As you turn up the Drive, it’s like turning the volume knob on one of these small-box vintage amps; the more you turn it up, the dirtier it gets. Next, the Volume knob acts like what some would call a master volume. None of the vintage Supro® amps had this control, but it works perfectly for letting the SuperBolt get the dirty cranked-volume tones with the Drive knob and then backing down the loudness factor with the Volume knob. The third knob is the Tone control, fairly true to the designs in many of these vintage amps. Our Tone control will serve as a breath of fresh air to all of you who are tired of the unusable and treble-ridden tone controls out there. All the way up, it is a biting and sharp tone that is extremely usable and easy on the ears; all the way back, you will find a dark but well-focused range of tones, useful for jazz and more subtle styles. The Hi/Low toggle switch lets you toggle between Hi and Low gain settings, much like the High/Low input jacks found on many of the amps of the 50’s and 60’s. In the down (Hi) position, you’ll find huge amounts of headroom, more upper mids, more available dirt, and the most rock and roll that the pedal can offer. In the up (Low) position, cleaner sounds are available and a slightly darker and more mellow tone. The SuperBolt runs on a basic 9v supply, but internally it converts that 9v to 18v, for massive punch, headroom, and its overall powerful character. Do not attempt to power the SuperBolt with a 18v power supply. You will notice that the overall tone is open and full, without the compression found in many overdrives on the market. It will compliment a more compressed drive beautifully, and it stacks well with everything we have tried- and we’ve tried a lot. If you love boosting your amp into natural overdrive, you have never heard anything do this like the SuperBolt. It will literally make any amp into a fire-breathing dirt machine. If you want a classic tool for your guitar rig that can handle any style you throw at it, the SuperBolt is for you. We believe this is a truly unique pedal in a world full of overdrives; get a taste of something different today! This pedal requires standard 9V DC Negative power and measures 2.2"x4.3"x1.5"

    Model: SUPERBOLT
    Manufacturer: JHS
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    Price: $199.00
    JHS Superbolt V2
    Features:

    When we released the Superbolt in 2012, we never dreamed that it would become one of the most recognized and distinguished pedals in our history. With V2, we have kept everything that has made it a go-to drive pedal across the globe and simply expanded its reach of versatility and options. Let's take a look at what it offers. From the inception of the Supro Company in 1935 until its closing in 1968, no other brand of amplifier has had such a fascinating, mysterious, and legendary story. The Supro® amps deliver the voice of rock and roll, from Jimmy Page’s legendary Led Zeppelin recordings or Brian Setzer’s early Stray Cat tracks, to the raging rhythm tones of Switchfoot’s Drew Shirley. If you have ever played one of these vintage amps, then you know nothing sounds the same. No matter how high you take the volume, the amp delivers the same smooth but cutting tone that has shaped countless recordings over its 75+year history. The JHS SuperBolt overdrive pedal, at its heart, is a discreet circuit designed to emulate the tone and character of the 1960’s-era Supro® amps. From its touch-sensitivity to the way the pedal sags with tube rectifier color at higher gain settings, the SuperBolt will give any guitar rig a versatile and useful new set of tones, reminiscent of some of the greatest sounds ever recorded. With three simple knob controls named Volume, Tone, Drive and a Gain toggle, you will have the ability to make any guitar rig drip with vintage soul and attitude. To understand how the SuperBolt operates, let’s begin with the Drive knob. As you turn up the Drive, it’s like turning the volume knob on one of these small-box vintage amps; the more you turn it up, the dirtier it gets. Next, the Volume knob acts like what some would call a master volume. None of the vintage Supro® amps had this control, but it works perfectly for letting the SuperBolt get the dirty cranked-volume tones with the Drive knob and then backing down the loudness factor with the Volume knob. The V2 has an improved taper with a wider "sweet spot" for adjusting the best volume. The third knob is the Tone control, fairly true to the designs in many of these vintage amps. Our Tone control will serve as a breath of fresh air to all of you who are tired of the unusable and treble-ridden tone controls out there. All the way up, it is a biting and sharp tone that is extremely usable and easy on the ears; all the way back, you will find a dark but well-focused range of tones useful for jazz and more subtle styles. The Gain toggle switch lets you toggle between two gain settings, much like the High/Low input jacks found on many of the amplifiers of the 50’s and 60’s. In the down position, the cleanest sounds are available and a slightly darker and more mellow tone is on tap. In the up position, you’ll find huge amounts of headroom, more upper mids, more available dirt, and the most rock and roll that the pedal can offer. When the Gain toggle is activated the status LED changes to Red. The Gain toggle is remotely switchable using the 1/4" jack on the top right side of the pedal. Set your normal SB setting and switch instantly using the Red Remote for an on-the-fly secondary tone without using hardly any extra space on your board at all. The SuperBolt runs on a basic 9v supply, but internally it converts that 9v to 18v for massive punch, headroom, and its overall powerful character. Do not attempt to power the SuperBolt with an 18v power supply. You will notice that the overall tone is open and full without the compression found in many overdrives on the market. It will compliment a more compressed drive beautifully, and it stacks well with everything we have tried — and we’ve tried a lot. If you love boosting your amp into natural overdrive, you have never heard anything do this like the SuperBolt. It will make any amp into a fire-breathing dirt machine. If you want a classic tool for your guitar rig that can handle any style you throw at it, the SuperBolt is for you. We believe this is a truly unique pedal in a world full of overdrives… get a taste of something different today! This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2"x4.3"x1.5".

    Model: T1120
    Manufacturer: JHS
    (read more...)
    Price: $199.00